SEEING THROUGH reimagines cracked ceramic “mirrors” as vessels of memory, repair, and inheritance.
Hung in a Petersburg style, the installation recalls a family photo wall where each frame holds a fragment of the past.
Unified by a single green surface, the works suggest how memory preserves general shapes while letting details fade.

Each piece is broken and then mended, echoing kintsugi while rejecting its precious symbolism.
Instead of gold, the cracks are filled with terracotta, an earthy material of body, soil, and return.
Repair here is not glorified, but understood as a necessary and deeply human process.
The visible scars do not hide damage, they give the work its character and resilience.